![]() Although, as Woody tries to free Forky, it’s Buzz-led by his “inner voice,” a fun new concept-who wrangles everyone else to action.īy the end, Woody’s own existential question remains the most interesting aspect. Buzz is more of a sidekick here than a leading character. ![]() Reeves is just delightful, spewing forth showboating grunts. Keanu Reeves plays Duke Caboom, a sensational Canadian stuntman action figure. Keegan-Michael Key and Jordan Peele are plush carnival prizes with winsome banter yet twisted fantasies of breaking the toy code of silence. New characters keep things light and hilarious. It’s this Gabby Gabby plotline that highlights toys’ purpose to bring love. The film’s main conflict concerns Forky, as he becomes held captive in an eerie antique store by a disturbing vintage baby doll named Gabby Gabby (portrayed with layers by a fantastic Christina Hendricks) and her mob of ventriloquist dolls. Is he devoted, or just stubborn? Does Bonnie fulfill him, or chain him? Bo makes Woody think outside the toy box. This tension and clash of core perspectives not only shows Pixar at its philosophical best but grounds things amid the usual mischief. She’s departed from her human-serving purpose. This contrasts with Woody, who maintains his blinding optimism and loyalty to Bonnie’s happiness (even when it means hurdle after hurdle.) While Woody fights to keep everyone together, she’s a free spirit, zipping about in a robotic skunk with fellow lost toys. Things look quite realistic, from the sweeping landscapes to carnival ride details.īo is also a staunch realist. She also has a sleeker look, which mirrors the film’s polished, sparkling animation. This likely has something to do with director Josh Cooley, who’s said that Bo would have these stronger qualities. While Potts still imbues Bo with a warm heart, she’s lightyears from the damsel in distress Andy often made her. She keeps her shepherd’s crook, which she wields with Avenger-like agility. Having traded her bonnet and skirt for pants, she possesses a frontierswoman’s vibe. His plight to be the trash he knows he is will surely spawn internet memedom.Īs Bonnie’s family embarks on a road trip, it’s the sentient spork’s suicidal tendencies that lead Woody to a fated reunion with Bo Peep. But, Forky’s pitiful crumbling beneath existential woe is indeed funny. “I’m meant for soup!” he cries at one point while trying to throw himself away. Played by Tony Hale-at home as another stunted, neurotic character-Forky bemoans that he exists. She christens it “Forky,” who soon sparks to life. This leads him to kindergarten orientation, where Bonnie conjures a new creation out of sundry trash items, including a spork. Still, clinging hard to his Andy-era role, Woody over-commits to Bonnie’s happiness. There, he gathers dust and ponders his purpose. He’s still the same loyal toy, but trapped in a one-sided relationship: Bonnie, who’s fonder of Jessie, routinely leaves him in the closet. The Bonnie dynasty isn’t blissful after all. We see as things unfold that there’s no way a reunion between Bo and Woody can’t transform both, either forcing growth or dooming them to the limiting beliefs they hold at the film’s start. ![]() As in any smart love story, the real magic isn’t in the romance, but in how each grows from it. It’s the usual alchemical Pixar mix of shenanigans and heart, wrapped in a tight script. ![]() The Pixar team expanded on that fan service, fleshing-out the glimmers of Woody-Bo chemistry into a satisfying new story. It’s built around a long-asked fan question: What happened to Bo Peep? The shiny shepherdess (voiced by Annie Potts) and her ovine trio disappeared sometime between the second and third films. The premise of “Toy Story 4,” however, is intriguing.
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